A study of concrete art and poetry, its implications, and influence in Brazil.
Concrete art and poetry burst onto Brazil’s cultural stage in the 1950s, while the country was embarking on a dizzying period of modernization. Bringing together key poets and visual artists alongside less recognized figures, Nathaniel Wolfson shows that concretism was hardly socially inert, as pundits have suggested. Rather, it presciently grappled wi...
Esta edição escrita em português do Brasil contém 312 páginas foi lançada em 2025 pela editora University of Texas Press.
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